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Transvoyeur Programme 2007

Transvoyeur Webcam Performance Art Platform, Part of 39 Art Day.

March 2007

Transvoyeur Webcam Performance Art Platform, Part of 39 Art Day

39 Art Day (Thank You Art Day) is a special day to appreciate, promote, and otherwise positively engage ourselves in contemporary art worldwide. Initiated by a Germany-based Japanese artist Yoshiaki Kaihatsu (www.yoshiakikaihatsu.com). To coincide with the international activities of this programme on 09 March 2007 Gaynor Evelyn Sweeney has posed to the Transvoyeur artists a webcam performance art platform to share in this unique exchange of cultural dialogue. This project is supported with the press and media of Art in Liverpool (Editor, Ian Jackson).

39 Art Day (Thank You Art Day) ...
39 Art Day (Thank You Art Day) is a special day to appreciate, promote, and otherwise positively engage ourselves in contemporary art worldwide.
39 Art Day was initiated by a Germany-based Japanese artist Yoshiaki Kaihatsu (www.yoshiakikaihatsu.com ) in 2000 to foster the appreciation of contemporary art in Japan, the country where support for contemporary art is still weak at best, if not altogether absent.

In Japanese, "thank you" rhymes with 3/9 (san-kyuu), because there is no "th" sound in Japanese and the Japanese people tend to pronounce "th" as "s." Thus, the Day of 39 Art on March 9.
See www.39art.com for more details.
Now the Liverpool art community has joined the network!
So on Friday March 9 this year, participating art galleries, museums or individuals will be offering things such as:
- giving a discount on admission
- giving a discount on works or giving small gifts
- preparing special wrapping kits or
- serving a cup of tea or other refreshment, etc., etc…

Transvoyeur Webcam Performance Art Platform
Written by Gaynor Evelyn Sweeney

The role of the artist is to express through a range of media and through history and technology how art is shared and experienced is made more accessible and diverse.

Date: 9 March 2007
Venue: Messenger - transvoyeuruk@hotmail.co.uk
Times: 1.00 pm - 4.00 pm

On 9 March 2007, at transvoyeuruk@hotmail.co.uk on Messenger, the following artists will be available with a selection of options on performances for each viewer who logs on. This order and selection is done by those who register and log onto Messenger at the account and thus determined by the request of the audience. The artist is to grant the preference of the audience member. This event will be in real time, but through the virtual space of the internet and webcam. This project enables audience participation and sharing of art globally through the internet.

Artists and Title of Performances
Agata Alcaniz - Space/Environment..
Jo Derbyshire - When the City Speaks.
Tony Knox - Hero!
George Lund - Yellow and Feathers.
Gaynor Evelyn Sweeney - Shopping List.
Andrew Taylor - Renditions of Prose.
and more ...

Instructions for Audience Participation:

On 9 March 2007:

Step (1): If you already have an account with Messenger register transvoyeuruk@hotmail.co.uk on the morning between 10.00 am - 12.00 pm to participate in the webcam performance art platform.
Step (2): If you do not have an account go to the following link and follow Step (1).
http://imagine-msn.com/messenger/launch/en-GB/
Step (3): Wait for your registeration after adding the transvoyeuruk@hotmail.co.uk to be accepted.
Step (4): Once you have been accepted, ensure you are on line for 1.00 pm.
Step (5): Instructions will be sent to you via Messenger on the performances you can select from.

Research Notes (for Transvoyeur References only)

http://www.answers.com/library/Wikipedia-cid-480975753

Philanthropy is the act of donating money, goods, time, or effort to support a charitable cause, usually over an extended period of time and in regard to a defined objective. In a more fundamental sense, philanthropy may encompass any altruistic activity which is intended to promote good or improve human quality of life . Someone who is well known for practicing philanthropy may sometimes be called a philanthropist. Although such individuals are often very wealthy, people may nevertheless perform philanthropic acts without possessing great wealth.

Philanthropy is a major source of income for artistic, musical , religious, and humanitarian causes, as well as educational institutions ranging from schools to universities (see patronage).

Philosophical views on philanthropy
Philanthropy is not always viewed as a universal good. Notable thinkers such as Friedrich Nietzsche and Ayn Rand opposed philanthropy on philosophical grounds, connecting it with the idea of the weak sponging off the strong, a view sometimes endorsed by those who oppose government welfare programs.

The purpose of philanthropy is also debated. Some equate philanthropy with benevolence and charity for the poor and needy. Others hold that philanthropy can be any altruistic giving towards any kind of social need that is not served by the market.

Some believe that philanthropy can be a means to build community by growing community funds and giving vehicles. When communities see themselves as being resource rich instead of asset poor, the community is in a better place to solve community problems.

Political views on philanthropy
Philanthropy is a private sector means of effecting social change without recourse to government mechanisms such as those represented by aid programs.

Governments are often supportive of philanthropic efforts. In many countries, those who donate money to a charity are given a tax break . Some governments are suspicious of philanthropic activities as possible grabs for favor (and votes/power in democracies) of portions of the population by non-governmental organizations.

Social activism and philanthropy
Social activists frequently criticize philanthrophic contributions by corporations whom activists consider "suspect". An example is the Harvard, Exxon, and South Africa case. Harvard University divested itself of Exxon stock after pressure and accusations that Exxon's doing business in South Africa contributed to apartheid . But when asked if they still wanted to receive philanthropic contributions from Exxon, Harvard said "yes". Some considered this morally inconsistent, others would consider it a warranted penance. If Harvard remained a stockholder, it could have voted to stop operations in the country. Instead, it sold the stock in protest. Exxon did in fact stop doing business in South Africa, as did other companies like Xerox, thereby costing employees their jobs and South Africa several contributors to a healthy economy. On the other hand, the international embargo against South Africa finally forced the white minority to grant political and human rights to its black and coloured citizens.

Uses of the word

Conventional Usage
By the conventional definition of philanthropy, donations are dedicated to a narrowly defined cause and the donation is targeted to make a recognizable change in social conditions. This often necessitates large donations and financial support sustained over time.

The need for a large financial commitment creates a distinction between philanthropy and charitable giving, which typically plays a supporting role in a charitable organization initiated by someone else. Thus, the conventional usage of philanthropy applies mainly to wealthy persons, and sometimes to a trust created by a wealthy person with a particular cause or objective targeted.

Many non-wealthy persons have dedicated ? thus, donated ? substantial portions of their time, effort and wealth to charitable causes. These people are not typically described as philanthropists because individual effort alone is seldom recognized as instigating significant change. These people are thought of as charitable workers but some people wish to recognize these people as philanthropists in honor of their efforts.

Technical definitions
Robert L. Payton expanded the conventional defintion of philanthropy in his 1988 book "Philanthropy: Voluntary Action For the Public Good." The text of this book and many of his writings are available at PaytonPapers.

See also
Altruism
Charity Navigator
Charitable organization
Charity fraud
Development charities
Development Ratings
Foundation (charity)
Freelanthropy
Non-profit organization
Philanthropist
Volunteerism
Volunteer

Lists
List of wealthiest foundations

External links
Article examining the philanthropy of noted industrialists from Rockefeller to Gates
A Bourgeois Duty: Philanthropy, 1896-1919 ? Illustrated historical essay
Most known American philanthropists
List of celebrity philanthropists
Philanthropy related links in Australia
Short overview: "How Philanthropy Works"
onhilanthropy - A Global Resource for Nonprofit Professionals
A Discussion with Warren Buffett and Bill and Melinda Gates about the Importance of Philantrophy
Development Ratings - recommending development charities to philanthropists
Philanthropy Resources Online (PRO)

Review of Transvoyeur Webcam Performance Art Platform, Part of 39 Art Day.
Written by Jean-Paul DeBuffet and Lucia Andrea Sweeney (Edited by Gaynor Evelyn Sweeney).
Photographs by Tony Knox and Gaynor Evelyn Sweeney.
Wednesday 14 March 2007.

On Friday 9th March 2007, part of the ‘I Love 39 Thank You Arts Day’, a performance art platform was conceived by Gaynor Evelyn Sweeney to present a series of live art by artists from Transvoyeur via MSN Messenger and webcam. This included work from Agata Alcaniz, Jo Derbyshire, Tony Knox, George Lund, Gaynor Evelyn Sweeney and Andrew Taylor.

The objective of this alternative and innovative platform was to enable an international audience via the internet and to coincide with the initiative by a Germany-based Japanese artist, Yoshiaki Kaihatsu (www.yoshiakikaihatsu.com).

In Japanese, 'thank you' rhymes with 3/9 (san-kyuu), because there is no 'th' sound in Japanese and the Japanese people tend to pronounce 'th' as 's'. Thus, the Day of 39 Art on March 9. Kaihatsu conceived this idea to encourage people in the arts and culture to say 'thank you' through a process of cultural appreciation. 39 Art Day (Thank You Art Day) is a special day to appreciate, promote, and otherwise positively engage ourselves in contemporary art worldwide.

The activities throughout Liverpool, Merseyside and surrounding areas have been supported through the media platform of Art in Liverpool with Ian Jackson and Mina Jackson.

The process of the live art was one were the viewer via messenger and a webcam were presented with an exclusive performance. Each performance was presented to only one viewer making the relationship one more intimate. This personalized approach adopted by the artists was to denote the principles of sincerity when expressing notions of appreciation, which relate back to the theme of the ‘I Love 39’.

The nature adopted by the performance platform was to re-address the parameters of the temporal and spatial concepts of live art and how this is experienced. How the words are redefined by cultural linguistics and meaning, so too is sensory experiences by the audience removed and determined by the intervention of technology and the internet. Moreover, by adapting the function of MSN Messenger, which in itself is designed for communication, but re-applied for creative expression.

The performances were varied and the audience international with viewers logging in from across the globe to receive a performance only for their eyes. The live art was diverse and extensive over a four-hour period between 1.00pm to 4.00pm the viewers could log in. The process of selection was ‘first come first served’. Each performance was mediated by ‘The Administrator’ who introduced and guided the viewer through each performance.

Lund did several renditions and variations of his alter ego the Funkadelic Chicken. He danced live for the pleasures of the viewer, hyper-style, followed by satire of slapstick comedy. Knox posed as Moth Man, the Hero, to other creative explorations of the categorization of the artist ‘boxed’, as a commentary on the canonization of art and the artist. The performance by Sweeney ranged from encapsulating herself in tape to manifestation of cable television ‘Chat to Girls’, but the only conversation was to advise on web links for a shopping list. Prostitution Belgium style in the window of the webcam, but the solicitation of a web directory to explicate links for what was wanted to be purchased by the viewer.

Sweeney, Lund and Knox performed further performances conceived and directed by Alcaniz, Derbyshire and Taylor. Sweeney in the mode of a catwalk model paraded the couture of waste, while the viewer receive images via the net of text from 'Will Limits of Earth's Resources Control Human Numbers', an icon image of ‘No More Babies’ (art image by Alcaniz and the music of Charles Ives 'Universe Symphony' played in the background. Lund orated the poetry of Taylor, which evolved into an explosion of expression. During this, an image of birds in the blue sky by Taylor was shown by Sweeney, who tore into strips and cascaded over Lund’s head, as he read aloud. The monologue written by Derbyshire was read by Sweeney, while images of the Derbyshire’s photographic urban and cultural research rotated on the viewers screen. To be absorbed in the visualizations of the artists and share in the experiences of Derbyshire 'When the City Speaks'.

During the window of the four-hour slot on MSN Messenger, these performances were repeated with changes influenced by the recipients’ response and modes of intervention by the webcam. On the close of each performance, the role of ‘The Administrator’ would return and enquire "Did you enjoy ‘your’ performance?" and added "As an expression of our gratitude, we, Transvoyeur, present you with a ‘Certificate of Appreciation’?" (download 'Certificate of Appreciation'). A word document was then sent via MSN Messenger, which the viewer could download and add their name to.

The live art platform via this method was fascinating and captivated the recipients who were audience. Even for the artists this changed the relationship of what live art means in it actually terminology and creative experience.

For further events of Transvoyeur artists go to Website: www.transvoyeur.com.

To view some of the performance select below:

>> Addicted to Adhesive Noir (Brown Not the New Black)
Concept and Direction by Gaynor Evelyn Sweeney
Performance by Gaynor Evelyn Sweeney

>> Environmental Performance Meets No More Babies
Concept and Direction by Agata Alcaniz
Performance by Gaynor Evelyn Sweeney

>> Funky Chicken (Yellow and Feathers)
Concept and Direction by George Lund
Performance by George Lund

>> Knox in a Box
Concept and Direction by Tony Knox
Performance by Tony Knox

>> Moth in a Box
Concept and Direction by Tony Knox
Performance by Tony Knox

>> Renditions of Taylor
Concept and Direction by Andrew Taylor
Performance by George Lund and Gaynor Evelyn Sweeney

>> Shopping List (Internet Solicitation)
Concept and Direction by Gaynor Evelyn Sweeney
Performance by Gaynor Evelyn Sweeney

>> When the City Speaks
Concept and Direction by Jo Derbyshire
Performance by Gaynor Evelyn Sweeney

>> Yellow Incubation
Concept and Direction by George Lund
Performance by George Lund