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Transvoyeur Programme 2007

Transvoyeur Legacy, Contemporary Art on Display, Emergency Department at the Royal Liverpool University Hospital, Liverpool, England.

August 2007

Art and Artists

Mike Carney

Title: Sometime.
Media: Photographic Lamba Print.
Date: 2007.
Dimensions: 100 cm x 100 cm.

Mike Carney is a Liverpool based graphic designer, artist and image maker. He enjoys working across many disciplines and is interested in the everyday, the spectacular, the mundane and absolute randomness. An experienced designer, Carney regularly works with artists and arts based organisations. His artworks have been published internationally and he has exhibited in several group shows in the UK. He's a bit of a creative chameleon who dislikes categorisation and has the ability to find inspiration in almost anything. 'Should be more focussed and ought to try harder' (quote from artist).

Yuanning Che

Title: The Face of Nature.
Media: Limited Digital Reproduction.
Date: 2007/
Dimensions: Art 21 cm x 29 cm.
(Frame: 35 cm x 46 cm).

Yuanning Che, born in 1983, is a Chinese artists currently based in Preston, England, studying for his Masters in Fine Art Time-based Media and Photography at the University of Central Lancashire. The art dontated to the Royal Liverpool University Hospital (Liverpool, England) for the Transvoyeur Legacy Collection is set on the concept of aesthetics in a nature and how beauty is measured. Che is currently developing a new series of photographic studies which explores the displacement of Chinese residents in the United Kingdom and the intimacy of their living space, which become panoramic visual narratives.

Pete Clarke

Title: The Duver - Isle of Wight.
Media: Mixed Media on Canvas.
Date: 2004.
Dimensions: Art 90 cm x 104 cm.

Clarke studied at Burnley Municipal College, Bristol Polytechnic and M.A. in Fine Art Chelsea School of Art. He is Senior Lecturer in Fine Art and MA Course Leader at University of Central Lancashire, Preston, England. Clarke is the principle members of the Eight Days a Week Arts Collective, an international exchange programme between Liverpool (UK) and Cologne (Germany).

Alex Corina

Title: The Liverpool Kiss.
Media: Limited Edition Print (Framed).
Date: 2003.
Dimensions: Art 60 cm x 75 cm.
(Frame: 70 cm x 85 cm).

Born in 1950, Corina studied at the Regional College of Art in Bradford (England) before moving to Liverpool 20 years ago. Corina is best known for his picture the Mona Lennon, which represents Liverpool's Past, Present and Future but also symbolises its aspirations. His work aims to capture the spirit and humour of the City in the run up to the Capital of Culture 2008. 'My recent work is experimental combining material and borrowing techniques from painting, drawing, collage and photography. As well as portraiture my work explores the dynamic between the apparent immortality of art, and recycling'. His art is highly collectible by many private and public buyers. It has become iconic of the city of Liverpool in the international arts market.

Rob Davies

Title: Cake Shop in Hanover Street.
Media: Acrylic on Canvas.
Date: 2004-5.
Dimensions: Art 32 cm x 50 cm.

Email: robdavies72@yahoo.co.uk
Website: www.robertdandavies.com

Davies graduated from Falmouth College if Arts in 2004 in a Masters Illustration: Authorial Practice. His art is varied in appearance, although predominantly figurative and often resembles a graphic novel in that it includes sequential segments and sections of narrative. From an accomplished painter to illustrator, Davies is regularly commissed by many authorities and establishments for large scale projects. His work has been collected by many private buyers throughout England.

Colin Davis

Title: The Whale.
Media: Screen Print on Fine Art Paper.
Date: 2007.
Dimensions: Art 35 cm x 25 cm.
(Frame: 52 cm x 42 cm).

 

Email: shadedot@yahoo.co.uk

 

Davis is based in the Northwest of England and sold his art to many private and public clients. He specialises in screen printing, which the work donated for the Transvoyeur Charity Art Auction is a new series researched and developed on abstract forms and shapes.

Jo Derbyshire

Title: Chaos Theory #5.
Media: Mixed Media on Canvas.
Date: 2007.
Dimensions: Art 92 cm x 96 cm.

Email: aprilskies1204@aol.com
Website: www.joderbyshire.co.uk

Derbyshire is a visual art who works in a range of media, from figurative to abstract expressionism. She has exhibited nationally and internationally and complete many private commissions. She is formerly Head Curator from the Egg Space Gallery. Her work is explorative ranging from abstraction to figurative. She has been collected by many authorities and private clients internationally.

Daiva Gauryte

Title: Unfading Flame.
Media: Linocut Print on Fine Art Paper.
Date: 2004.
Dimensions: Art 20 cm x 30 cm.
(Frame: 37 cm x 47 cm).

E-mail: daiva820404@yahoo.com
Website: www.artinliverpool.com/daivagauryte

A graduate of Siauliai University (Lithuania) in 2005 with a First in a Fine Art Degree. She is currently studing her Masters in Creative Practice at Liverpool Hope University (Liverpool, England). Her art combines a series of different creative techniques and styles, particularly oil pastels and paints, graphite, etc.. Her art is formed on the semiotics of abstraction and mark making. She exhibited international from her country in Lithuania, England, etc.. Her work is rapidly being collected with interest from private and commercial collectors.

Tracey Griffin

Title: Ridge.
Media: Monoprint on Fine Art Paper.
Date: 1999.
Dimensions: Art 54 cm x 32 cm.
(Frame: 72 cm x 48 cm).

E-mail: tracy@anthillmob.eclipse.co.uk
Webiste: www.tracygriffinprint.co.uk

Tracy Griffin (nee Hill) is a Fine Art practitioner in various media of print. 'The experiences of our natural environment and the physical presence of moving through the landscape have always inspired me. My work reflects the colour, light, form and structure of these environments'. The extent of her art applies the printmaking techniques of etching, photo intaglio, lithography and embossing with the objective to produce a sense of memory of a place. She studied at Sheffield University in Fine Art and is currently engaged at the University of Central Lancashire (Preston, Lancashire). She has sold privately and been commissioned for her unique and organic creations.

Jason Jones

Title: Theory #7.
Media: Acyrlic on Canvas.
Date: 2002.
Dimensions: Art 120 cm x 120 cm.

E-mail: jason@jasonjonesart.co.uk
Webiste: www.jasonjonesart.co.uk

Liverpool born, Jones, graduated with a Combined Honours Degree in Psychology and Fine Art at Liverpool Hope University College (England). He was later employed as an Artist in Residence up until September 1999. Jones' work has an origin based on personal experience with nature and it's chaotic elements, the growth processes, the conflict of forces meeting each other, the anger, tension and more importantly 'emotion', a binding and important element of the work. ‘Theory’ compositions are an expression of the unpredictable and unexplained dynamic aspects of chaos. Where out of something indiscernible and incomprehensible, for a split second there can emerge a ‘language’ or ‘a sense’ with an integrity of its own presence. Within these compositions the descriptive act of painting becomes the narrative. He currently works as Curator at the Cornerstone Gallery (Liverpool, England) and as an artist developing a new series of art. His work has been collected by private and commercial collectors through out England.

Tony Knox

Title: Ken Dodd and the Diddy Moth Men.
Media: Screen Print on Canvas.
Date: 2007.
Dimensions: Art 92 cm x 92 cm.

Email: tonyknox99@hotmail.com
Website: www.tonyknox.org.uk

Tony Knox a Northwest based artist who has abopted the role of Curator. As an Artist his art work is diverse through a range of Fine Art through more alternative contemporary and digital media. His first practice was with photography, which explored the icon and identity in post modern society. He has exhibited internationally in an array of festivals and galleries. He most recent creative research has related to an idiosyncratic creature known as Moth Man. A would-be hero that evolved from a live art peice in the context of a wrestling arena. He is currently finishing his Masters in Time Based Media at University of Central Lancashire (Preston, England). He has taken the iconic of the wrestling hero and superimposed to the context of the Diddy Men in a portrait of Ken Dodd, a famous comedian from Liverpool now in his 80s, who has established an iconic status himself through his extensive professional comic career. This work is done in a screen print and the original portrait image of Dodd derived from a photograph session at the View Two Gallery (Liverpool, England) in 2006.

Laura Lian

Title: John Lennon.
Media: Resin Bronze Relief.
Date: 2007.
Dimensions: Life Size Profile.

Email: Laura@LauraLian.co.uk
Website: www.lauralian.co.uk

Lian is a professional ‘listed’ artist having sold at Christie’s auction house. Specializing in sculpture her commissions are diverse, from portraits with the likes of Gareth Chillcott, John Lennon Queen Mother to an impressive bas-relief panel for the Dorchester Hotel’s Health club reception in London. She has won competitions in public work: A metal Relief Sculpture for The Royal Glamorgan Hospital in South Wales and a Themed parapet and gate design for North Wiltshire County Council. She has been presented to HRH Princess Royal for her work on ‘The Millennium Bridge project in Melksham, Wiltshire. Her metal fibre optics work can be found in public houses at The Ledger Pub in London and Wilmslow, Manchester. She recently has completed a Portrait sculpture of one of her icon idols, John Lennon‘ Someone who inspired me with a focus for Peace’. Which was shown at The Beatles Museum, Liverpool from 2002-2004. Her Queen Mother Portrait Sculpture was shown at the Royal West of England Academy Show in Bristol autumn 2002. At the Children Nationwide Fund raising event ‘Odudua’, African Earth Goddess Bust sold for £5,500.00. This bust also was accepted by the Royal Academy West of England 2002. Laura’s work is sought after from corporate, public and private sectors across the U K, included in her collectors are Nickie Clarke and Rachael Hunter.and Bernie Ecclestone, Dermot Desmond , Sharon Osbourne and more. This is a piece titled, ‘John Lennon New York’ and a bronze sculpture. Her work is highly collected by celebrities, private and public bodies internationally.

George Lund

Title: All We Need Is Peace, Love, Understanding.
Media: Mixed Media Paints on Canvas.
Date: 2007.
Dimensions: 59 cm x 49 cm

 

Email: chic_geo@yahoo.co.uk
Website: www.lundart.co.uk

Title: Merseys Waterfront.
Media: Mixed Media Paints on Canvas.
Date: 2007.
Dimensions: Art 50 cm x 60 cm.

Lund gradated from BA (Hons) Fine Art Degree in 1993 from Bradford University, England. He is inspired by the colourist Naïve style. He specialised in Fine Art and Printmaking, imbuing a rainbow of vivid colours in his visualisations. Lund’s art has a freshness, energy, liveliness and abundance of colour. He has been commissioned by many private, commercial and public bodies, including the Liverpool Culture Company for a limited reproduction series distributed worldwide.

Richard Meaghan

Title: The Long Wait.
Media: Marker Pens on Foam Board.
Date: 2007.
Dimensions: Art 45 cm x 59 cm
(Frame ?? cm x ?? cm (?????)).

Email: contact@richardmeaghan.com
Website: www.richardmeaghan.com

Meaghan is an international artists. Originally from Liverpool, England, he has lived in London (UK), Torrevieja (Spain) and Nago (Italy). He is a highly established artist and his work is collected by both private and commercial buyers. Richard Meaghan's paintings are invented and an amalgamation of a number of differing experiences that revolve around memory, making use of allegorical and pictorial inventions and references from art history. Meaghan's narrations are not linear, but rather associative and analytical, so that the works function like short stories, in which the plot is compressed into single images. The fragments have to be pieced together and thus can seemingly fall somewhere between dream and nightmare. The resulting paintings appear as visions of somewhere familiar yet strange, uncanny shimmerings based on careful study of our world that in turn suggests another.

Janet Manogue

Title: Passchendale Trenches #1..
Media: Etching on Fine Art Paper.
Date: 2007.
Dimensions: Art 23 cm x 26 cm.
(Frame: 42 cm x 52 cm).

Email: janet.manogue@btinternet.com

The art of Janet Manogue is set on political events surrounding conflict and remembrance. Her interest revolve around World War I trench maps and aerial photographs in particular. Her creative objective is to create an aged feel, a link to the past, to an event that should not be forgotten and to place these events in contemporary debates surrounding conflicts around the world today. She states: “My aim as an artist is to make the viewer think, to challenge them to question their own knowledge and understanding and to look at this subject in an entirely new way. Whilst my work is set in the past, it is firmly in the contemporary debate.” Manogue studied Fine Art at the University of Central Lancashire (Preston, Lancashire). She works in the erudition of art in the community to promote arts and culture.

Neil Morris

Title: Untitled.
Media: Screen Print on Fine Art Paper.
Date: 2007.
Dimensions: Art 20 cm x 30 cm.
(Frame: 46 cm x 34 cm).

Email: N.Morris@livjm.ac.uk
Affiliated to Eight Days a Week Website:
http://www.eightdaysaweek.org.uk/
artistneilmorris.htm

Morris is an international artist based in Liverpool. He works as a Lecture in Fine Art at Liverpool John Moores University (Liverpool, England). His art is highly collectible internationally and he works between Liverpool (England) and Cologne (Germany) on an international exchange programme.

Ken O’Hare

Title: Blue Window.
Media: Oil Paints on Canvas.
Date: 2002.
Dimensions: Art 45 cm x 55 cm.

Email: oharekj@tiscali.co.uk

Ken O’Hare graduated in 1999 from a BA (Hons) Fine Art Degree at Liverpool John Moores University (Liverpool, England). From 2000-2002 he attended an artists fellowship programme, Drawlab, in St Helens (gland). He has exhibited in the Independents of the Liverpool Biennial 2002 and 2004, an international festival for artists and culture. He was awarded the National Painting Prize by the Holiday Inn. He has exhibited throughout the United Kingdom with and interest from many private and public clients in the art market. His art explores shape and form through strange intricate geometric abstractions, which absorb the viewer into a journey of the visual labyrinth. He currently works voluntary for the Tithebarn Community Initiative, which provides workshop support to the elderly. This relates to his interest in contributing to the community arts and creativity in the broader spectrum of society, so others can share and learn from arts and culture.

Patrick O'Rourke

Title: This is Hope.
(Dedication: William " Willie" Fitzpatrick
May 1945-May 2007).
Media: Charcoal and Pastels on Fine Art Paper.
Date: 2007.
Dimensions: Art 98 cm x 64 cm.
(Frame: 104 cm x 70 cm).

 

Email: patrickcorourke@yahoo.co.uk
Website: http://patrickorourkefineart.blogspot.com/

A graduate in Fine Art, O'Rourke produces large scale dynamic compositions. These at times combine mixed media of found objects and are transformed in to installations. The themes are set around socio-urban culture of people, places and experiences and form a sense of familiarity to communicate a narrative the viewer can relate. His art has been commissioned by several galleries and art organisation in the UK and internationally. His most recent Artist Residency in Australia where he developed a large client base and market interest in his art.

Rachel Pearson

Title: Untitled .
Media: Mixed Media Paints on Canvas.
Date: 2007.
Dimensions: Art 89 cm x 89 cm.

Email: sarwabuddha@yahoo.com

Pearson's art is set on the visual dialogue of abstraction. The creative process of each piece are to explore symbolism, chaos, gesture, space, dynamics, ephermical, etc.. On the ideas of nature, landscapes, memories and expressive and emotive response. Pearson has exhibited nationally and an interest rapidly developing her work. She is a graduate in Fine Art and currently finalising her Master at the University of Central Lancashire, Preston, England.

Stephen Siwiak

Title: Head/Z.
Media: Conte crayon on Fine Art Paper.
Date: 1994.
Dimensions: Art 20 cm x 30 cm.
(Frame: 26 cm x 36 cm).

Email: stephensiwiak@hotmail.com
Website: www.stephensiwiakdrawings.co.uk

Stephen Siwiak is a Fine Art practictioner. His art has explored portraiture through linear form to convey the objectivity of the subject, rather than the subjectivity of the sitter. 'I have become interested in drawing heads,not as portraits representing personailty or character, but as object rather than subject. I consider form and texture, juxtaposing darkness and light. Hard and soft. Movement and stillness. Deconstruction and reconstruction. Life, death and eternity, masculinity, identity and displacement'. He graduated in Fine Art from Preston University and has exhibited from Lancashire, London and abroad. His art has bee collected by many private and public clientele, including Lord Palumbo (as Chairman of the Arts Council of England).

Gaynor Evelyn Sweeney

( Art work image to be updated).

(Title, media and date to be included).

Email: ges1967@hotmail.com.
Website: www.gaynorevelynsweeney.co.uk

Gaynor Evelyn Sweeney is a visual artist and graduate of Liverpool John Moores University, England, in 2002. From painter, scultpor, live artist and more. She is currently on her doctorate and researching the body within contemporary arts, science an culture. Her art explores the temporality and spatiality of body politics within the post modern environment and institutional structures. She has performed and exhibited in an array of international events, such as the Liverpool Biennial, Venice Biennial, Performance Art Festival (US), Hong Kong Biennial and Berlin Kunst Salon. Although she pursues her independent practice in performance art, she is a strong advocate of contemporary art practice, creating projects for exchange and dialogue in the concepts and philosophies of post modern art and society. To collaborate and share to realise new and diverse modes of thinking and creative expression in the international arts market. She is also founder and Projects Co-ordinator of Gesquoi and TransVoyeur UK, both research and management programmes in arts and culture within the international market. She was also one of the original founders of the Whores of Babylon Arts Collective (UK).

Nick Sykes

Title: Castles on Hills.
Media: Screen Print on Fine Art Paper.
Date: To be updated.
Dimensions: Art 28 cm x 22 cm.
(Frame: 47 cm x 40 cm).

Email: nsykes62@hotmail.com
Website: www.nicksykesart.com

 

Born in Huddersfield , Nick Sykes graduated from Liverpool John Moores Fine Art School in 1995. Since then he has continued to paint from his Liverpool studio, building a burgeoning reputation on the North West art scene. Since graduation Nick has exhibited both nationally and internationally; locations include London , Dublin , Munich and New York . He has presented work and curated for the Liverpool based Parking Space Gallery which he successfully co-founded in 1998. He was subsequently invited to curate for the Liverpool Independent section of the LiverpoolBiennale 2002 and is a visiting lecturer for Liverpool Community College . His work is also held in various esteemed corporate and private collections, including those of designer Paul Smith, chef Raymond Blanc and writer Alan Bleasedale. Nick has recently moved to Parr Street Studios in Liverpool's creative quarter and shown to critical acclaim at his solo exhibition Chasing Tigers With Frank, at the Liverpool Biennial 2004. Nick is also a freelance Art Handling Technician, who has worked for National Museums Liverpool, Tate Liverpool and most recently the A Foundation.

Kevan Whittle

Title: Untitled.
Media: Screen prints on paper (Limited Edition, Framed.
Date: 2007.
Dimensions: Art 48 cm x 54cm.
(Frame: 54 cm x 60 cm).

Email: kevan@kevanwhittleart.co.uk
Website: www.kevanwhittleart.co.uk

Kevan Whittle graduated from the University of Central Lancashire in 2004 with a BA (Hons) Degree in Fine Art. He specialises in the area of Printmaking and producing prints from plant material in the form of etchings. In conjunction with the etching, he produces silk-screen prints which have been inspired from such programmes as the Eden Project and National Trust Gardens. He is currently Artist in Residence at UCLAN (England). 'My work is carried out in a small studio which I have been equipping since I completed my degree in 2004. During the last twelve months I have been researching into local plant life and have been experimenting with the fairly new techniques of non toxic printmaking. I have had some success producing etchings using both fresh and dried plant material and am now at a stage requiring further development in both scale and diversity. I am applying for the AA2A scheme as I wish to produce some larger scale work using the plant material and evolving into some form of abstraction. However I am restricted due to limited space and by the fact that I only have a small etching press in the studio. I have chosen plant life for research as a broad subject which offers great diversity of colour, form and texture. I have always had a keen interest in plants as I studied Horticulture and Botany some years ago. I feel this subject will lead to some interesting conclusions and artwork. I hope it might also raise awareness of the vital importance of plants to our existence.'

Cath Wilson

Title: Home.
Media: Mixed Media on Fine Art Paper.
Date: 2007.
Dimensions: Art 27 cm x 35cm.
(Frame: 57 cm x 65 cm).

Email: cathywilsonart@hotmail.com
Website: www.lunesidestudios.com/cathywilson.htm

For the last five years, Cath Wilsons work has primarily been depictions of the human face on a large sacle. She works in chalk pastel, charcoal, ink and PVA glue on heavy-weight cartridge and watercolour paper. The images she uses come from photographs in magazines although as the drawing progresses, facial characteristics and expression change so the final image is sometimes different from the original photograph. She further incorporates other media to produce these large profound and intimate portrayal of paper using sandpaper and erasers, which give the drawing a textured and worn appearance. He creative and conceptual objective is to convey expression, emotion and the passing of time. Her art is sort by private and public collectors through the United Kingdom and she has exhibited from England to Sweden with a rapid commercial interest in the art market for her extraordinary portrayals.

Dave Woods

Title: Cara's Painting.
Media: Acrylic and Inks on Canvas.
Date: 2007.
Dimensions: Art 93 cm x 93 cm.

Email: dwartist@hotmail.co.uk
Website: www.dwpaintings.co.uk

The style and content of Dave Woods' paintings are described by him as autobiographical. They are influenced by, and developed from, an amalgamation of the techniques and processes instigated by the 'stainers' and 'colour-field painters of the late 50's and 60's in north America - a pastiche of his favourite artists including Morris Louis. Mark Rothko, Barnett Newman, Clyfford Still, Richard Diebenkorn et al. The content reflects a personal observation on the biological process of human memory. The paintings take the form of fluid, abstract after-images that represent a singular moment in the memory process that lies somewhere between remembering and forgetting. They are also, importantly, about the interaction of colour. Woods is an established artists in Liverpool, England. His art is collected by many private and public bodies.

Alan Worswick

Title: Ancients.
Media: Linocut on Arches Reeves.
Date: 2007.
Dimensions: Art 50 cm x 30 cm
(Frame: 72 cm x 54 cm).

Email: aworswick@hotmail.com
Website: www.myspace.com/aworswick

Alan Worsick is a visual artist, printmaker, art tutor, amateur social philosopher and more. His art work spans the boundaries of the traditional and the abstract and is meant to be viewed, questioned and enjoyed by all people, at many different levels, and in people’s space. The subject matter springs primarily from his personal background and the sense of a human closeness/dependence of the industrial, which is twisted and tied with new symbology and narratives and entwined with stories and social situations of everyday people in everyday life. He graduated from Bolton Institute in 2000 and worked as a visual art tutor in several colleges in the Northwest. His work is primarily in fine art print and painting and he has exhibited across England and have been commissioned for work from Cyprus and Canada.